Actually, Everything is Completely Different

How do you portray someone who has put all their artistic effort into making portraits of artists? How do you portray someone who has persistently aimed at getting closer to those portrayed rather than their art? And how do you make a portrait of someone who, for decades, not only hid these portraits from the public, but also in his films made himself vanish as much as possible? The cinematic portrait filmmaker Wilhelm Gaube, seeks to answer these complex questions.

Austria | 2004 | col | 51 mins |certificate 12A |dir. Jörg Burger

UK Premiere